#Pitched up sample chops mac#

Use the built-in keyboard at the bottom of the Sampler Track window or your MIDI keyboard to check your placement of the markers. Select a vocal chop by adjusting the start and end points. Then zoom in (you may have to zoom pretty far) and place the Start and End markers to outline the boundaries of the word youвЂ™ve selected. Alternatively, you can use your MIDI keyboard to play that note. Start by clicking the blue root key on the keyboard at the bottom of the Sampler Track window, which is C3 by default in Cubase. IвЂ™ve found that it also helps to select a word that starts in a hard consonant like P, B, T or G when creating vocal chops since it gives a more powerful attack than if the word starts with a vowel. Make sure your Sampler Track is record-enabled so you can trigger it from your MIDI keyboard and listen for a note thatвЂ™s steady pitch-wise. If you can, use a dry sample rather than one with reverb and delay, because itвЂ™s better to have the flexibility of adding those effects yourself. ThatвЂ™s an artistic decision, however you can certainly opt to go with a completely different voice if you want to. Often, it makes sense to use a section of the vocal track of the song youвЂ™re working on so that the sound of the chops will relate to the song. Start by finding a vocal sample that you want to use. Since a Vocal Chop instrument takes a single note youвЂ™ve defined from your source audio file and transposes it across the keyboard, it makes sense to use AudioWarp mode to keep it from getting too extreme sounding, unless thatвЂ™s what youвЂ™re going for. (Formants are resonances in your vocal tract that help shape the tone of your voice.) YouвЂ™ll still notice timbral differences, but they are much less extreme: This next audio clip demonstrates AudioWarp mode, where Cubase time-stretches and formant-corrects the audio to keep all notes at the same speed and timbre as the root note.

Notice how both the timbre and the speed change. The first time itвЂ™s triggered by the root note (in this case, E3), followed by the notes F#3, G#3, B3 and E2 (an octave below the root). In the following audio clip, youвЂ™ll hear a vocal line loaded into the Sampler Track in Normal playback mode, repeated five times. As with all speeded-up or slowed-down recordings, it changes timbre too, so you get the вЂњchipmunk effectвЂќ if you play a note more than a few semitones higher than the root pitch and the вЂњmonster effectвЂќ if you go a similar distance in the other direction. LetвЂ™s start with Normal mode, where the sample gets transposed up and down on the keyboard, playing back faster as you play higher notes, and slower as you play lower notes. If you drag in a longer sample, you can adjust the start and end points of a note of your choosing.Д¬ubaseвЂ™s Sampler Track window features three different playback modes: Normal, Audiowarp and Slice (weвЂ™ll cover Slice mode in Part 2 of this article). For that, you only need a one-note sample. LetвЂ™s start with the most straightforward way: creating a vocal chop instrument. There are a couple of different ways to create vocal chops. (like Cubase, most DAWs support dragging and dropping audio files into samplers.) The Sampler Track window after dragging in a sample. From there, you can drag and drop a sample from inside your session or from a directory on your computer. After doing so and hitting Add Track, youвЂ™ll see the area in the Lower Zone.

YouвЂ™ll then get the Add Track dialog, where Cubase offers you the opportunity to name the track.

#Pitched up sample chops mac#

There are multiple ways to do so, but probably the easiest method is to right-click (or option-click if youвЂ™re using a Mac with a one-button mouse) in the Track List to get the context menu, then choose Create Sampler Track: Creating a Sampler Track. In Steinberg Cubase, sampling functionality is available by creating a Sampler Track. Most contemporary DAWs offer sampler plug-ins. TheyвЂ™re pretty easy to create, as weвЂ™ll demonstrate in this article. Vocal chops are short vocal samples that you trigger via MIDI and use as melodic and rhythmic ornaments in song arrangements.